![]() The sixteen-year old Bard, Maerad of Pellinor continues her adventure in this sequel to The Naming, where after an audience with the First Bard of Annar, Maerad realizes that he was responsible for the destruction of her home. Also Dharin's death was incredibly easy to predict. Never did it occur to me that he had really died. I was simply wondering when he would return. However Cadvan's death and subsequent return was way too obvious. In terms of plot however the book delivers. This novel doesn't show any restraint at all. It could be a good thing, but like all things moderation is key. Now personally it doesn't matter if if books have this concept or not, but it's a double-edged sword. ![]() Do you seriously expect me to believe that this undefined emotion is really love? I mean what looks like desire (see Maerad's stay with the Winterking) was called "love", the "love" between her and Cadvan was so overstated and thrust down my throat (okay, eyes/brain) until it I was sure that the were going to get married (then divorced, because they argue way too much without reason). ![]() First was the concept of "love" in this novel. While better in some ways than the first book, there were definitely parts that irritated the. ![]()
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